Of all the too-close readings of “Avatar’s” stilted politics, I enjoyed David Boaz’s take the most. He argues that the film should be interpreted as a straightforward defense of interstellar property rights.
by Will on January 26, 2010
Will writes from Washington, D.C. (well, Arlington, Virginia). You can reach him at willblogcorrespondence at gmail dot com.
Valentine's Day in Westeros
A Game of Thrones themed Valentine’s Day cards. ( 0 comments)
Borat, Art, and the Eye of the Beholder
Borat: “I do a picture, only small, of the Tishnik Masacre. Where many Uzbeks…crushed!”
Kindly Gray Hippie: “How did you feel when you drew this?”
Borat: “Very proud!”.
KGH: “I’m just listening with sadness…a little sadness for your people…?”
Borat: “Yes…no, it is not sad. It is us who do the kill!”
When in doubt, consult the classics [5:30 mark].
( 2 comments)
Over on the Mindless Diversions site...
Our intrepid commenter A Teacher tells the story of how he published his NaNoWriMo book (and, of course, tells us how we can get a copy of it for ourselves). ( 2 comments)
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Yeah, that’s great. Who knew the proper spelling should have been Ke’lo
If the Na’vi cannot appreciate the concept of “public use” and hate the idea that we live in a democracy, maybe they can just move to Somalia.
Jaybird for the win.
I haven’t seen the movie, but wouldn’t it, insofar as it does this, be talking more about events like the Trail of Tears and various colonial annexations than individual property rights? The property rights upshot seems less like Kelo, and more like returning the deep south back to the Five Civilized Tribes. Which, by the way, I fully support.
Ha! You both win this thread, Johnathan. “Ke’lo” and “public use,” indeed.
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