by Daniel on November 21, 2011
A funny thing happened with Community last week. Someone noticed that NBC hadn’t listed it on its midseason lineup. In its spot was 30 Rock, finally coming back from hiatus. Panic among Community fans quickly ensued. Twitter lit up with cries of objection and inside jokes from the shoe. I tweeted a jest from a recent episode about quickly creating a new timeline.
The reaction was pretty natural for lovers of any show but with Community it’s actually a little odd. For one thing the show isn’t actually very popular. Its audience is small and very tightly nit. It’s a fierce audience but a small one nonetheless. Secondly, there really shouldn’t be much surprise that the show would be canceled. By design Community is unwelcoming to newcomers. Over the past two-and-some-change seasons more and more of the show’s jokes have been either based on events and jokes from past episodes or incredibly nerdy pop culture or science fiction references (a recent favorite: Inspector Spacetime jokes). Humor like that is partially what makes Community funny and fun. You’re sharing an inside joke with the cast. You’re being rewarded with humor for paying close attention to the show.
The problem is, new viewers haven’t been paying close attention. They don’t get that reward for noticing a suggestive comment the Dean makes at Winger or watching Troy and Abed say “Troy and Abed sown to-GE-ther.” That’s both the show’s blessing and its curse. It’s hard for new viewers to get into the show. Meanwhile, the humor for regular viewers is enjoyable on multiple levels. There are the immediate jests and then the second layer ones that are funny for Community loyalists. But having a small, core group of fans isn’t enough for any t.v. show to survive. It needs a large audience and larger audiences come and go. Shows that are appealing because they are easy to get into will often do better than shows which are equally good but partially good because of the longstanding story arcs and trends. It’s just harder for someone to casually jump in and get hooked (not impossible, but harder).
So in complaining about the show’s demise, it’s a bit unfair to call it an outrage. To expect Community to last for, say, ten seasons is unrealistic. It just won’t. I’m not saying here that it should be a short-lived t.v. show, I’m saying that it’s unlikely to be. But if Dan Harmon (the show’s creator) were to change that very core aspect of the show then it really wouldn’t be the Community that’s created such an obsessed fanbase. The show is short-lived because it’s good in a certain way.
A little while ago both Erik and myself were giggling over this clip of Ben in Parks and Recreation passionately casting down the idea that HBO’s Game of Thrones would ever be canceled. Ben argues that it’s a hit because it tells real world stories in a fantasy setting. At the time, I said that that was a perfect explanation of why the show and series among non-traditionally fantasy inclined fans:
What I love about the clip is that the explanation is also one of the best and most succinct ones I’ve heard/seen of why the show/series is successful.*
Really? Do you know someone who’s fathered three children through his sister? Is your best friend a stunted dwarf desperate for love, drowning his sorrows in the bosoms of whores? Has your older brother been killed and his family’s home put to the torch because he decided to marry someone for love?
No. Ben’s explanation is incomplete. The reason the show is successful among non-fantasy lovers is because the characters think like normal people. This is not the clichéd epic where the protagonists talk in faux old English and are constantly worried about honor. These characters are appealing because we can understand how they think and we see that they aren’t always inclined to do the right thing. Sometimes they do the selfish, wrong, ugly, stupid, thing instead. It’s entirely human.
*I realize how absurd it is to quote oneself. I’m only doing it here because I’m criticizing my own comments.
I can’t find it in myself to like Ser Arys Oakheart, or feel sad for him. I just finished the chapter (SPOILERS) where Arianne’s rebellion fails. I know I’m supposed to feel pity for Oakheart. He was just trying to make his two girls happy —Myrcella by keeping her happy and Arianne by helping her with her plan. When Hotah catches Arianne’s little cadre in the act, Oakheart does what I suppose is considered the honorable thing according to the songs and tales of Westeros and sticks with his side, sacrificing himself clearly in a vain attempt to save what, if anything, could be saved of Arianne’s machinations.
Here’s the thing though, Oakheart should have spent more time polishing Arianne’s plans in whatever way he could. Gathering what little support he could or just…I don’t know…doing more than whatever Arianne did like the lovesick puppy he was. After all, what was at stake was his life, his love (err the person Oakheart loved) and Myrcella, his raison d’être. Instead though Oakheart just followed Arianne’s lead and got himself killed.
I had actually hoped that Oakheart was smarter than he was and actually tipped off Hotah and Prince Doran to Arianne’s scheme. Alas no, he just turned out to be a fool and not in the romantic sense, in the dumb sense. It’s just all really aggravating.
On the larger issue in question though, whether a war between Dorne and the Iron Throne would be a good thing I think it’s impossible to say. Right now King’s Landing is pretty weak and distracted with other conflicts so Dorne, which has stayed out of the fighting up till now, could probably survive. On the other hand, there’s no telling who would turn out to be the victor in the end. The sense I got from the Dorne chapters up till here is that the hunger for war among the Dornishmen is not at all thought out and more about a longstanding desire for revenge. It just doesn’t seem that smart.
by Daniel on September 27, 2011
I admit, when I saw my first Buck the Fuckeyes, I chuckled but I quickly realized there’s little value in shirts like those. Swift
makes the case that shirts like those really don’t belong in college fandom at all:
Continue reading this post…
by Daniel on September 26, 2011
Does anybody else find the entire Iron Islands storyline tiresome and disconnected? I do. I just can’t find myself at all interested by Euron Crow’s Eye or Victarion or Asha. I also sort of get the sense that Martin knows these chapters are slow so every once in a while he’ll add a little sexual tension or comment on some woman’s body. But the sexual gratuity argument is not only exhausted but not my major gripe with the series. If I had to complain about one aspect of these books it would not be about how stupid Ned Stark is (really, it seems like the entire blogosphere agrees that Stark is stupid, just not in what way he’s stupid. Either way it’s not worth discussing.) My gripe is that there is no appealing mother character in the books. Correct me if I’m wrong here, but every character who’s a mother first (Cersei, Catelyn, Lysa) are all incompetent, insane, or some mixture of both. Their roles consistently involve messing things up and complicating things in an easily correctable manner. At one point Cersei thinks “Mothers are all the same.”
Now, the immediate counterargument is Daenerys. But she never was a mother for very long was she? She may be the “Mother of Dragons” but she’s really a queen first and a mother and keeper of her pet dragons second.
There’s also Gilly, I guess, but what does she do? From where I am in A Feast for Crows, she generally hugs Sam, carries a baby who’s not hers around, and cries a lot. There’s still time for her to muck things up though. Maybe when Sam and Gilly get to Oldtown she’ll burn down the Citadel. Who knows!
It occurs to me that an actual competent player of the game of thrones who is a mother is the Queen of Thorns. She’s actually fairly competent but, like Dany, I don’t really think of her as a mother first —more a matriarch of House Tyrell. She doesn’t seem particularly concerned for her son, for example, but rather the success of her house and their conquest of the Iron Throne. That’s not quite the top priority of a mother character. I consider Catelyn a maternal character because she’s always doing things based on the safety of her children which is hardly, as it appears from where I am, what the Queen of Thorns or, I suppose to a lesser degree, Dany does.