Insufficient ethical boundaries lead to some odd situations for some men and the women they abuse. (Content note: Not safe for work. Unpleasant subject material. Also, language, though that’s the least of it.)
Get off my moisture-vaporator farmed lawn
The true legacy of racism.
The latest Stephen King horror adaptation plays like a big summer blockbuster
Netflix’s and Marvel’s The Defenders is underwhelming, underpowered, and unimpressive. And yet, it might one day not be.
The Dark Knight trilogy approach cinematic perfection.
War for the Planet of the Apes” is the rare third entry that actually tops its predecessors.
Many scientists like to nitpick science fiction, but why should they have all the fun?
Iron Fist may not be good, but it’s really not that bad.
A personal essay on Mystery Science Theater 3000 and its return.
I have proof in the form of sixteen reasons the first episode was bad.
“Skull Island” injects personality intro franchise filmmaking
A review of The Hunger Games: Mockingbird: Part II. And some Rube Goldberg machines.
A look at The Magicians and A Series of Unfortunate Events
A look back at some of the movies that stood out in 2016
No, I’m not going to be boycotting Netflix over their new series, Dear White People. And neither should anyone else.
My relationship with Joss Whedon is complicated.
Carrie Fisher was so much more than Princess Leia.
Five lesser-known gems to give you the creeps this Halloween
3 Operating Thetans out of 5 Operating Thetans.
Two of the three B’s.
Summer 2016 was a bust for Hollywood blockbusters. What can Hollywood learn from the Japanese and Our Little Sister. Can Americans listen?
A part biopic, part spy thriller, and mostly true story from Poland during the Bad Old Days of the Cold War.
Kazzy thinks way too hard about MTV’s “The Challenge” finale.
A personal essay on the King of the Monsters.
A very brief movie review.
“The Conjuring 2” is a rare horror sequel that delivers.
Two movies — one significantly weightier than the other.
We could have asked the bartender to change the channel.
But we didn’t.
The transformational discussion about race that wasn’t.
A good time at the movies, “Civil War” doesn’t take enough risks to be a great one.
“I’m from Hell’s Kitchen!” says Daredevil. “Have I mentioned that about myself?”
“Only about 50,000 times,” says Elektra.
Suspense abounds in punk band vs. neo-Nazi drama
Season 3, Episode 19: Grey 17 Is Missing