Weekend!

by Jaybird on May 25, 2012

Well, this weekend, I am going on my first leave-the-house vacation in… what? 5 years? Maybe 4. It’s only for 48 hours, key-in-the-door to key-in-the-door but it’s a start. That’s actually pretty much the whole weekend for me. I’m excited! And terrified!

So… what’s on your docket?

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The NHL and NFL re-seed teams as they move through the playoffs.

The NBA and NCAA basketball do not, opting for a bracket system.

MLB, because of its limited playoff pool, don’t really face the issue (though they certainly have their own issues with seeding).

NCAA football… well, NCAA football is still using the bowl system.  Let’s just pretend that silliness doesn’t exist.

Which approach is right?

First, let’s make sure we all know what we’re talking about here.  Leagues that re-seed guarantee that the highest ranked team plays the lowest ranked team, the second-highest ranked team plays the second-lowest ranked team, and on and on through all rounds of the playoffs.  So, in the NFL, the #3 seeded team plays the #6 seeded team in the opening round.  If the #6 seed wins, they play the #1 seed in the following round.  If the #3 seed wins, they’ll play the #2 seed while the #1 seed plays the winner of the #4/#5 matchup.  Leagues that use a bracket system have set brackets that are static.  Should an upset occur, match-ups don’t change.  So, in the NBA this year, we see the #2 and #3 seeds face off in the second round while the #4 and #8 teams play each other.

As I see it, here are the pros and cons of each system:

Re-seeding Pros/ Bracket Cons:

  • The best teams are assured of an easier route, something they theoretically earned as a result of their regular season performance.  In a bracket, a worse team might have an easier route to advancing than a better team.
  • You are less likely to see “flukey” results, as weaker teams will have to beat the best remaining competition at every turn in order to proceed.
  • It seems more “fair”.  Why should the Heat, the #2 seed, have a tougher second-round opponent (the third-seeded Pacers) than the #4 Celtics (playing the eight-seeded Sixers)?

Bracket Pros/ Re-seeding Cons

- There are a wide variety of logistical and scheduling issues, as matchups often can’t be set until all series are completed.  This means travel schedule and hotel reservations can become problematic.  This isn’t really an issue for fans, but can prove a burden for the league and theoretically could impact the scheduling of games, which does impact fans.

  • Fewer upsets.  Fans love upsets (or at least claim too… ratings numbers seem to indicate otherwise).  You are less likely to see Cinderella teams make deep runs in the NCAA tournament if they keep having to play the best competition.  Of course, the LA Kings are disproving this right now, making a run to the Stanley Cup finals as a #8 seed, but hockey lends itself to such things.
  • March Madness brackets are made possible only using the bracket system.  Goodbye pools if a re-seeding system is employed.

So which system is better?  I personally prefer re-seeding.  It just seems silly to me that many of the supposed benefits of achieving a higher seed disappear once the first round is over.  And as much as I enjoy individual game upsets, I prefer to see the best of the best play each other for the title.  An NBA finals matchup between the Heat and the Thunder would be more exciting and compelling to watch than a Cinderella matchup between the Sixers and Jazz would have been.  What do you think?  Are there pros and cons to either system I’m ignoring?  Is there something about specific sports that lend themselves better to one approach than another?  Is there a third alternative out there (perhaps in soccer) or one someone is willing to propose?

EDITED to fix some formatting issues.  No content changes.

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Atomic!

by Patrick Cahalan on May 23, 2012

Here’s a third post on “Pat’s ideas of ‘movies of note’ by year”. The first post covered 1971 to 2008, the second post covered the 1961 to 1970, and now we’re in the 50s.

Well, 1951 to 1960. I’ll leave the argument about fence-post errors to the numerological-obsessed.

1960, Psycho (imdb) (wikipedia). Before I get into other candidates, a word about Psycho. If you’ve grown up in the last two decades and you haven’t seen Psycho, watching Psycho now might not grab you. Most of the cinematography tricks have been redone a hundred billion times, with better effects. The sound editing and score and how they weave into the movie have also been redone (albeit no better than in this movie), so watching Psycho after you’ve seen the last two decades’ worth of torture porn movies may seem like an anticlimax. Then again, no actor has duplicated or exceeded the work Anthony Perkins did as Norman Bates, so maybe not. In any event, Psycho is the greatest horror movie ever made. If it ever comes to pass that they invent the mind-dampening machine that enables you to temporarily forget things, a desire to watch Psycho unspoiled – as the viewers in 1960 watched it – might overcome my otherwise iron-clad resistance to any attempt to monkey about with my gray matter.

And that’s saying something.

Ah, but 1960 had some other great films: 13 Ghosts (the original), The Alamo, Les Bonnes Femmes, Butterfield 8… oh, shoot, now I have to make another word.

I hate Elizabeth Taylor. I can’t explain why, I’ve never actually seen her in anything where I thought she didn’t do an excellent job (except Cleopatra, which is an epic flub on all parts).   She’s a female incarnation of the Leonardo DiCaprio Syndrome, which I would call the Liz Taylor Syndrome but I don’t like to confess that I don’t like Liz Taylor while I’ll cheerfully cop to hating Leonardo. I can’t stand him, and I like all of his movies. Go figure. So anyway, when it comes to Elizabeth Taylor movies, keep that in mind.

Come Back, Africa, an amazing documentary. Exodus, which everyone should see for various reasons (like Triumph of the Will from 1935) which we won’t get into here at Mindless Diversions. Inherit the Wind, which has another top 10 Angry Man Rant scene in it. The original Little Shop of Horrors. The original Ocean’s Eleven, a classic caper film. Spartacus, which everyone should watch just for the score, never mind that it’s otherwise a great film. Sink the Bismarck! The Sundowners. One of the incarnations of The Time Machine, which is a fun example of 50s SF. The Unforgiven. The Swiss Family Robinson, which both of my kids enjoy but is a little violent for the taste of the average modern American parent.

1959 Some Like It Hot (imdb) (wikipedia). Why do I choose this over, say, Ben Hur or North By Northwest? (Seriously, better than North By Northwest, Pat?) Two reasons. First, I’m horribly crippled with Movie Tourette Syndrome and there are some killer quotes in this movie (“I knew a girl from Bryn Mawr… she ratted on her roommate and was strangled with her own brassiere!”) But that’s true of North By Northwest, too, right? Ah, but this movie has Tony Curtis playing Joe playing Cary Grant playing Junior, and he murders it. Just slays. It’s not too often you get a moment like that in movie cinema. Sleeping Beauty, my favorite Disney animated film. Rio Bravo. Operation: Petticoat, which isn’t all that and a bag of chips but a good one to catch on TCM with the DVR when it rolls by. Anatomy of a Murder, which is my number three choice after Some Like It Hot and North By Northwest, and one of my favorite courtroom dramas. Battle In Outer Space, which is a must-see for the SF fan. The Diary of Anne Frank. The Hound of the Baskervilles, which isn’t a great Holmes incarnation but I do like Cushing and Lee in it. Journey to the Center of the Earth, the best incarnation of this story in film (although nobody has ever done this one correctly). Oddly enough I haven’t seen the UK edition of “The Mummy” which is from this year. The Mouse that Roared. The Shaggy Dog – great kid’s film. Our Man in Havana, which you must see if you like Alec Guiness or spy films or both. And, of course, the ultimate camp cult classic, Plan 9 From Outer Space, which deserves its own post.

1958 The Blob (imdb) (wikipedia). So many excellent movies this year, but this one, which isn’t excellent, is still my personal favorite. Steve McQueen is not good, and that’s all part of the fun. The Fly. The Brothers Karamozov, Attack of the 50 Foot Woman, Cat on a Hot Tin Roof (see aforementioned Liz Taylor problem), Damn Yankees, The Defiant Ones. Indiscreet, an under-rated Cary Grant movie. Run Silent, Run Deep. The Seventh Voyage of Sinbad, which any fan of special effects must see. South Pacific. Vertigo. The Thing that Couldn’t Die (bad fun). A Touch of Evil, which reminds everyone that Orson Wells was an excellent actor.

1957 Twelve Angry Men (imdb) (wikipedia). Totally unrealistic courtroom drama that never sees the inside of the actual courtroom, as it all takes place in the jury deliberation room. I have mentioned that I collect Angry Man Rant scenes. 65% of this entire movie is Angry Man Rant scenes. If you’re not particularly interested in Angry Man Rants, you might still enjoy this movie for its treatment of institutional racism, agism, and both hard and soft bigotry. The Bridge on the River Kwai, which I have trouble watching but adore and would otherwise have at number one. The Enemy Below, which isn’t as good as Das Boot or Run Silent Run Deep but it still a good watch… although it cheeses out in the end and highly romanticizes submarine combat in frankly an offensive sort of way. Funny Face, which you must watch if you love musicals or Audrey Hepburn, and who doesn’t love Audrey Hepburn?  (Seriously, if you don’t love Audrey Hepburn, you’re broken inside)  Old Yeller. The Man Of A Thousand Faces – Jimmy Cagney as Lon Cheney. The Incredible Shrinking Man, which is awesome and not at all campy, a stellar 50s horror/sf movie. 20 Million Miles To Earth, The Amazing Colossal Man, Attack of the Crab Monsters, The Monster That Challenged The World… which are all campy but fun if you like 50s horror/sf movies… nowhere near the caliber of The Incredible Shrinking Man. The Seventh Seal.

1956 Forbidden Planet (imdb) (wikipedia). I love Forbidden Planet. I LOVE Forbidden Planet. FORBIDDEN PLANET! I still cannot believe that this movie was made in 1956. Great year for the movies, and not just for 50s SF/monster/horror films, either. The Ten Commandments, Around the World in Eighty Days, The King and I, The Searchers, High Society, The Man Who Knew Too Much. Giant. The first cinema adapation of 1984. Godzilla, King of the Monsters. Invasion of the Body Snatchers, which still scares the beejezus out of me, and was made for nothing and stars nobody who stars in things (although you’ll recognize a lot of faces). The Seven Samurai was made in 1954, 1956 was its release year in the U.S. and it is awesome.

1955 To Catch A Thief (imdb) (wikipedia). Cary Grant and Grace Kelly? How could I not? Jessie Royce Landis and Brigitte Auber are also respectively awesome, and John Williams is also great. East of Eden. Kiss Me Deadly, which is a must-see if you like Film Noir. The Seven Year Itch. The Trouble With Harry – Hitchcock doing black comedy over suspense, and rocking it. Guys And Dolls, which is hilarious.

1954 Rear Window (imdb) (wikipedia). Hitchcock’s best movie, in my opinion. Also Jimmy Stewart’s best movie. Raymond Burr gives a performance that would be hard to duplicate, and he has what, three lines? Thelma Ritter is perfect. Grace Kelly plays Grace Kelly, but not in the way that Al Pacino plays Al Pacino.  There are five other stories going on in this movie to which all of 4 minutes of screen time is devoted, and Hitchcock tells all five stories while the rest of the movie is going on. Them!, the quintessential 50s Atomic Bomb Monster movie, better than Godzilla (also this year). 20,000 Leagues Under the Sea, which is a great movie for 10 year old boys, or anyone who can put themselves into that mindset for a couple of hours. The Caine Mutiny. On The Waterfront, which I would like more if Brando lived up to it ever again in his career. White Christmas, which is silly and fluff but a good seasonal family movie. Dial M for Murder and The Bridges of Toko-Ri… how did Grace Kelly do all this in one year (plus The Country Girl)? Brigadoon, which… okay, let’s be honest. It’s a below-average musical in a year with much better musicals and Gene Kelly does better dancing in most of his other movies, but it has a lot of screen time with Cyd Charisse… and although I’m totally *not* into objectifying women, if there ever was a woman who lends herself to objectification for one particular feature, it’s Cyd Charisse and her legs. Oh, those legs. Seven Brides for Seven Brothers, which has a great fight scene in it, and a great fun watch for kids as long as you spend a lot of time explaining horrible old social conventions. The Creature From The Black Lagoon.

1953 War of the Worlds (imdb) (wikipedia). I love this movie almost as much as I love Forbidden Planet. The hero is a physicist who fishes, can fly a plane, punch out an alien, and gets the girl. Other great movies from this year… Stalag 17. Shane. Kiss Me, Kate (Seven Brides for Seven Brothers, with only one Brother), with one of my favorite numbers from a musical, “I Hate Men”. The Beast from 20,000 Fathoms, House of Wax. A pretty weak year, actually, in comparison to the overall decade.

1952 I am officially stuck. Well, I got through almost 60 years of films before I got to a year where I can’t pick a favorite, but I’m stuck. I can’t choose between Singin’ In The Rain (imdb) (wikipedia) and The Quiet Man (imdb) (wikipedia). I love the entire cast of Singin’ In The Rain, it’s my favorite musical, and it has my favorite number in it (no, not “Singin’ In The Rain”). But The Quiet Man is a contender with Raiders for my favorite movie *ever*. If you have any Irish in your ancestry anywhere, you have a relative that is a character in The Quiet Man, somewhere. It also has my favorite bit of musical score in it. Other good movies from this year… Scaramouche. The Snows of Kilimanjaro. Ivanhoe. High Noon! Some people really like Monkey Business, but as screwball comedies go, I think it’s subpar.

1951 The Day The Earth Stood Still (imdb) (wikipedia). Here I reveal my true colors: I’m a total nerd. As if there was any doubt, at this point.  Real film buffs go with The African Queen, where Bogart gets his long-overdue Oscar. An American in Paris, another great musical and the one with possibly the best Big Dance Number in it. Alice in Wonderland, which I think is one of the better bits of earlier Disney animation from the standpoint of the animation… but I don’t like the adaption, so it’s a halfhearted recommendation. Death Of A Salesman. The Man In The White Suit, which is a little-known flick that anyone with any political inclination can watch and come away from it feeling affirmed. Abbott And Costello Meet The Invisible Man, one of the few Abbott and Costello movies I really like (their best stuff is their standup), there’s a ton of them in the early 50s. Strangers On A Train. Quo Vadis, which is an epic Epic Movie. Superman And The Mole Men, which deserves a look-see as the first real feature-length movie treatment of the Man of Steel.

Next time around we’ll cover 1941 to 1950.

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Wednesday!

by Jaybird on May 23, 2012

It’s really sad how, in the last week, we’ve lost two of the biggest Disco Icons. Donna Summer and Robin Gibb.

In playing Disco songs the past couple of weeks, I’ve never really talked about the genre itself and what made it so likable (and, I suppose, hateable).

It was upbeat. It was happy. It was easy to dance to… which made it easy to want to be a better dancer than all of the people who found it easy to dance to. It was sexy. It was drug-fueled. It was hedonistic. Even as the counter-culture eschewed dance music, Disco delighted in it. Even as prog rock was experimenting with abstract music, even as country rock was finding its feet (and anger), even as Led Zeppelin was changing damn near everything… Disco had 4/4 time and was upbeat and happy and easy to dance to.

It was counter-counter-culture.

Donna Summer’s “Love to Love You Baby” is a step above Make-Out Song? Above? Beyond. Her “Last Dance” was Disco’s “Don’t The Girls All Get Prettier At Closing Time”… except a woman was singing it. Her “Heaven Knows” was Disco’s sweet and straightforward love song. I think my favorite (today, anyway) of hers is I Feel Love.

Her gorgeous voice over synthpop… Ladytron before Ladytron and La Roux before La Roux.

The Brothers Gibb have given us so much as well… I won’t be able to do a better job eulogizing Robin Gibb than Brian Doherty did over at Reason so I’d ask you to read his post.

We’ve all heard the soundtrack to Saturday Night Fever over and over again (and, if you haven’t, you *SHOULD*). The Robin song that I think is the best example of all of the above things said about disco is his “Juliet“. The album version (from the 70′s, where he still had all of his falsetto powers) is at the link there, but if you want to see how happy the song is capable of being, you need to watch this (sing along!):

Thanks, guys.

So… what are you listening to?

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Interruption!

by Jaybird on May 22, 2012

Given the insanity of the last weekend and the insanity of the coming weekend, we’re going to kick the can of Bookclub down the road one week.

So if you’ve already watched “Momentum Deferred” and “Dream Logic”, I apologize. We’ll talk about it next Tuesday! If you haven’t, hey, three-day weekend to help you catch up!

Of course, if we want to explore Fringy concepts in the comments, this is a good place to do it as well.

As always, here are the ground rules: nothing that we have seen so far is considered a spoiler, anything that we have not yet seen should be considered a spoiler. Crazy nutbar speculation is *NOT* a spoiler, but confirming or denying said confirmation would be.

Here’s my idea for spoilers: please rot13 them. That’s a simple encryption that will allow the folks who want to avoid spoilers to avoid them and allow the people who want to argue them to argue them. We good? We good!

Sorry about this! We’ll be back on track next week!

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Bushido!

by Jaybird on May 21, 2012

I’ve been spending more time with Max Payne 3 (I’m in chapter 4, now) and that has me thinking vague and unfocused thoughts about the Ronin thing going on. One of the most interesting parts of the heroism portrayed is that Ronin are not good people. They prefer good people, of course… but they are not, in and of themselves, particularly Good. (Mentioning this thought to Maribou, she said to me “Just because you’re on the side of the angels doesn’t make you an angel.”)

I’m sure that I don’t have to tell you about how Ronin are Samurai who had lost their masters were supposed to commit ritual suicide. The ones who didn’t (as that’s a pretty tall order), became Ronin– Masterless warriors who rented their swords out to the highest bidder. Their honor was considered gone and they were not held in particularly high esteem. Well, on a general social level, anyway. A bodyguard is never held in higher esteem than when you need one (and there were a lot of lords who needed one). There’s a famous Ronin story in Japan about The 47 Ronin. These were 47 Samurai who found themselves masterless after their own master assaulted a corrupt court official and, failing, had to commit ritual suicide. These 47 Ronin waited about 2 years before getting revenge and killing the corrupt official, turning themselves into the police, and then committing ritual suicide themselves. Heavy. Anyway, this story is one that, however well documented, has become a Myth. It’s an idea about National Character, heroism, revenge, and honor that resonates even across cultures.

Well, for our culture, we generally have to change a few things. The masters of men are much more subtle. Sure, they have jobs and bosses… but I’m reminded of the old joke about the old West. An English Lord was riding through and he came across a cowboy or blacksmith or barber or something. “You! Where is your master?” “Ain’t been born yet.” So, when telling the story about a Ronin to an American audience, the Samurai’s family is usually killed. Indeed, in the original Max Payne, Max’s family is killed by a group of druggies high on a synthetic drug (and Max makes it his new mission to put an end to the drug ring). The game goes on to have Max avenge his family, no matter where the story took him (and it took him quite a few unsavory places… including the halls of power).

Well, in the 47 Ronin story, the Ronin forced an end to the story by committing hara-kiri. The American version of Ronin, however, don’t tend to do that. Max Payne 3 tells the followup story to Max Payne and, so far, it’s doing a much better job than Max Payne 2 did. (Don’t get me wrong, Max Payne 2′s gameplay was amazing and improved on the decidedly awesome gameplay of the first… it’s just that the story didn’t hold up quite so well.)

You’re a lot older, a lot greyer, a lot more cynical. You’re a bodyguard for a family of vapid rich folks who have made so many enemies that they can’t keep track. It’s just a job. You spend your nights (early mornings) after work getting drunk and taking painkillers and looking at a picture that, so far, the game hasn’t shown me.

Max is not a good person anymore… but he prefers good people.

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Sunday!

by Jaybird on May 20, 2012

Well, I’ve just seen two chapters in a row where good things happened to the characters that I liked and that’s making me really, really tense. So-and-so was just arrested at the tavern. I imagine that this is where the excrement is airborn.

I’m also getting ready to go over to my local Blast Area for the WWE PPV tomorrow night. Ah, I’ll relax in Vegas. Sure.

I’m also preparing for the Bookclub for episodes “Momentum Deferred” (which is as awesome as it sounds) and “Dream Logic” (which, sadly, is not).

So… what are you reading and/or watching?

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Saturday!

by Jaybird on May 19, 2012

I’m still playing Max Payne 3 (making occasional pit stops into Zen Pinball)… and getting ready to conclude a 4th Edition game tonight.

So… what are you playing?

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Monologue!

by Jaybird on May 19, 2012

I’m a little past finishing the first chapter of Max Payne 3, and I find myself reminded of the movie Man on Fire.

It’s a Samurai game… well, a Ronin game. We’ve got our Ronin who is hiring himself out and he’s waiting to find his purpose. I’ve not yet found the chapter where Max finds his purpose quite yet… so he’s still Ronin at this point. I tell you what, though. They’ve already established that, when he does? Hell follows.

It feels like a game that will be finished rather than one to be abandoned… but don’t they all at this point? I’ll keep you posted.

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Weekend!

by Jaybird on May 18, 2012

Holy cow, is today Friday already?

Indeed it is.

Well, summer is more or less officially here, kinda. Maribou’s classes are behind her, her grades are in (As, natch), and work is doing this weird “eye of the hurricane” thing where we know it’s going to get crazy any minute now… but not yet.

So, tonight, we’re going to have cocktails.

Saturday, we’re going to be running our errands and our D&D DM will *FINALLY* finish up our storyline we’re running in 4th Edition… and, if we have 15 minutes at the end of the night, we’re going to dust off our old Harry Dresden characters and get ready for Colorado Springs and maybe we’ll figure out what’s *REALLY* going on with all of those green crosses popping up all over town…

Sunday will be spent doing chores around the house and an internal debate will be held to see if we want to go to the WWF PPV at our local blast zone on Sunday Night. Because, seriously, it’s been a rough week. Sitting at home and doing nothing has serious upsides too.

So… what’s on your docket?

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