by Erik Kain on March 5, 2012
Okay, so I may have a problem with the assassin’s costume in ‘Assassin’s Creed 3′ – but I still think the Revolutionary War setting was a smart move by Ubisoft. This trailer confirms both these views. The game looks gorgeous. I love the idea of racing across snowy boughs, high above the British troops. I [...]
Read more at Forbes.
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by Erik Kain on March 5, 2012
Okay, so I may have a problem with the assassin’s costume in ‘Assassin’s Creed 3′ – but I still think the Revolutionary War setting was a smart move by Ubisoft. This trailer confirms both these views. The game looks gorgeous. I love the idea of racing across snowy boughs, high above the British troops. I [...]
Read more at Forbes.
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by Erik Kain on March 2, 2012
I may have gripes about the assassin’s costume in Assassin’s Creed 3, but the more screenshots I see of the game itself, the more I think it was an excellent move by Ubisoft to bring the franchise to the New World, and to the American Revolutionary War in particular. David Thier rustled up some screenshots [...]
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by Erik Kain on March 1, 2012
Ubisoft has released the box art for Assassin’s Creed III and it confirms rumors that the next installment of the series takes in the new world during the Revolutionary War. says “it’s a damn good idea.” I completely agree. (More: Check out the new screenshots for the game.) Check out the box art after the [...]
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by Erik Kain on January 6, 2012
Ubisoft’s latest Assassin’s Creed title is graphically stunning but still misses the mark. Read Part One of a multi-part review. Playing the first Assassin’s Creed game several years ago was a real treat. Ubisoft’s weird stealth-action game infused elements of science fiction with magnificent historical backdrops and a gameplay system that relied heavily on rooftop [...]
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E.D. Kain is a blogger and freelance writer. Currently he serves as Editor-in-Chief of The League of Ordinary Gentlemen and writes a policy blog at Forbes. He can be found occasionally composing 140 character cultural analysis on Twitter. His writing has appeared in The Atlantic, The National Review, The Washington Examiner, and the now-defunct True/Slant.
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