Two of the three B’s.
You turn me on, you’re a radio.
Counterpoint works best when the listener can separate the voices, so why not use real voices?
Bach, simple and unadorned.
In one case, he paints himself as the victim and can sleep at night on top of a giant pile of money.
In the other, the sounds of angry Clevelanders die softly on the grounds of his mansion as he struggles to sleep on top of a giant pile of money.